| title | artist | year | album |
|
Hå hå ja ja de fleckera |
Folke Andersson |
1927 |
|
|
Hagode Shel Peysakh |
Dave Franklin |
ca. 1901-1903 |
|
|
Hail Chicago! |
Arthur Fields and Criterion Quartette |
1921 |
|
|
Hail! Hail! The Gang’s All Here |
Irving Kaufman and Columbia Quartette |
1917 |
|
|
Hail! Hail! The Gang’s All Here |
Irving Kaufman and Columbia Quartette |
1917 |
|
|
Hallelujah Chorus, from Messiah |
Baldwin’s Cadet Band of Boston |
1894-95 |
|
|
Hälsa dem där hemma |
Knut Öhrström |
1925 |
|
|
Hälsning från Norden |
Henry Corsell |
1924 |
|
|
Hand Grenade Throwers March |
Guido Deiro |
1917 |
|
|
The Handicap Race |
Dan W. Quinn |
ca. 1897 |
|
|
Handle Me with Care |
Clarice Vance |
1907 |
|
|
Handschuh |
Anonymous |
1889-90 |
|
|
Hans und Liesel |
Charles Schoenenberger and Louisa Schneckenbuehl |
ca. 1920-1921 |
|
|
Happiness |
Art Hickman’s Orchestra |
1921 |
|
|
Happy |
Isham Jones Rainbo Orchestra |
1920 |
|
|
Happy |
Joseph C. Smith’s Orchestra |
1919 |
|
|
Happy-Go-Lucky You and Broken Hearted Me |
Ralph Kirbery and Orchestra |
1932 |
|
|
Hark! The Herald Angels Sing |
Anonymous |
1890-95 |
|
|
Harmony Baby |
Nora Bayes |
1914 |
|
|
Harmony Bay |
Heidelberg Quintet |
1914 |
|
|
Harrigan |
Billy Murray |
1907 |
|
|
Harrigan |
Billy Murray |
1907 |
|
|
Has Anybody Here Seen Kelly? |
Nora Bayes |
1910 |
|
|
Has Anybody Here Seen Kelly? |
Nora Bayes |
1910 |
|
|
Has Anybody Seen My Corinne |
Wilbur Sweatman’s Original Jazz Band |
1918 |
|
|
Haul the Woodpile Down |
Charles Asbury |
ca. 1893–94 |
|
|
Haunting Blues |
McMurray’s California Thumpers |
1922 |
|
|
Havanola |
Joseph C. Smith’s Orchestra |
1918 |
|
|
Hawaii Ponoi and Aloha Oe |
Arthur Pryor’s Band |
1913 |
|
|
Hawaiian Sunshine [longer version] |
Gus Van and Joe Schenck |
1916 |
|
|
Hawaiian Sunshine [short version] |
Gus Van and Joe Schenck |
1916 |
|
|
Haydn’s Creation: “The Marv’lous Work Beholds Amaz’d” [excerpt] |
Ocean Grove Auditorium Choir |
1897 |
|
|
He Goes to Church on Sunday |
Billy Murray |
1907 |
|
|
He May Be Your Man (But He Comes to See Me Sometimes) |
Edith Wilson and Johnny Dunn’s Original Jazz Hounds |
1922 |
|
|
He Used to Be Your Man but He’s My Man Now |
Edith Wilson and Johnny Dunn’s Original Jazz Hounds |
1922 |
|
|
He Walked Right in, Turned Around and He Walked Right Out Again |
Bob Roberts |
1906 |
|
|
He Went in Like a Lion and Came Out Like a Lamb |
Billy Murray |
1920 |
|
|
Head Over Heels |
Joseph C. Smith’s Orchestra |
1918 |
|
|
Hear dem Bells |
Brilliant Quartet |
1896 |
|
|
The Heart Bowed Down |
J. W. Myers |
ca. 1899-1900 |
|
|
Heart Bowed Down |
William Tuson |
ca. 1903 |
|
|
Hebrew Morning Hymn |
Rittersville Choir |
ca. 1898-1900 |
|
|
He’d Have to Get Under?Get Out and Get Under (to Fix Up His Automobile) |
Billy Murray |
1913 |
|
|
He’d Have to Get Under-Get Out and Get Under (To Fix Up His Automobile) |
Billy Murray |
1914 |
|
|
The Heidelberg Quintet (featuring “Emmett’s Lullaby” by Heidelberg Quintet) |
Will Oakland |
1954 |
|
|
Heil Dir (God Save the Queen) |
Anonymous |
1889-90 |
|
|
Heinie at College |
Joe Weber and Lew Fields |
1912 |
|
|
Hello Baby |
Bert Lown and His Hotel Biltmore Music |
1930 |
|
|
Hello Central, Give Me No Man’s Land |
Edna Brown |
1918 |
|
|
Hello Central, Give Me No Man’s Land |
Al Jolson |
1918 |
|
|
Hello Frisco! (I Called You Up to Say “Hello!”) |
Alice Green and Edward Hamilton |
1915 |
|
|
Hello Hawaii, How Are You? (medley) |
Prince’s Band |
1916 |
|
|
Hello! Beautiful! |
Sam Lanin’s Dance Ensemble |
1931 |
|
|
Hello, Hawaii, How Are You? |
Nora Bayes |
1916 |
|
|
Hello, Hawaii, How Are You? |
Billy Murray |
1916 |
|
|
Hello, Hello! |
Wilbur Sweatman’s Original Jazz Band |
1919 |
|
|
Hello, Ma Baby |
Arthur Collins |
ca. 1899 |
|
|
Hem ljuva hem |
Scandinavian Bell Ringers |
1925 |
|
|
Hembygden |
Knut Öhrström |
1925 |
|
|
Her Name’s Miss Dinah Fair [7 in. disc] |
George Walker |
1901 |
|
|
The Herd Girl’s Dream |
Geo. Stehl, Marshall Lufsky and Paul Surth |
1908 |
|
|
Here Comes The Sun |
Vincent Lopez Orchestra |
1930 |
|
|
Here is a Substitute For and Relief From the Present Discriminatory System of Taxation in Iowa [ad for Iowa Association for Tax Justice] |
Unknown |
1932 |
|
|
Here It Comes Again [3 min. cylinder] |
Bert Williams |
ca. 1906-07 |
|
|
Here It Comes Again [10 in. disc] |
Bert Williams |
1906 |
|
|
He’s a Cousin of Mine |
Clarice Vance |
1906 |
|
|
He’s a Cousin of Mine |
Bert Williams |
1907 |
|
|
He’s a Cousin of Mine [10 in. disc] |
Bert Williams |
1906 |
|
|
He’s a Cousin of Mine [2 min. cylinder] |
Bert Williams |
ca. 1906-07 |
|
|
He’s a Devil in His Own Home Town |
Ed Morton |
1914 |
|
|
He’s a Devil in His Own Home Town |
Eddie Morton |
1914 |
|
|
He’s a Devil in His Own Home Town |
Billy Murray |
1914 |
|
|
He’s a Mean Mean Man (But He’s Good to Me) |
Edith Wilson and Her Jazz Hounds |
1924 |
|
|
He’s a Rag Picker |
Peerless Quartet |
1914 |
|
|
He’s Had No Lovin’ for a Long, Long Time |
Original New Orleans Jazz Band |
1919 |
|
|
He’s Had No Lovin’ for a Long, Long Time |
Original New Orleans Jazz Band |
1919 |
|
|
The Hesitating Blues |
Art Hickman’s Orchestra |
1919 |
|
|
Hicki Hoy |
Nora Bayes |
1916 |
|
|
High Brown Blues |
Markels’ Orchestra |
1922 |
|
|
High Brown Blues |
Bar Harbor Society Orchestra; Ben Selvin, dir., Ernest Hare, voc. |
1922 |
|
|
High Brown Blues |
Sophie Tucker |
1922 |
|
|
High Society Rag |
King Oliver’s Jazz Band |
1923 |
|
|
Hindustan |
Joseph C. Smith’s Orchestra |
1918 |
|
|
Hindustan |
Joseph C. Smith’s Orchestra |
1918 |
|
|
Hippodrome Minstrel Medley |
Manuel Romain |
1916 |
|
|
Ho-Hum |
Sam Lanin’s Dance Ensemble |
1931 |
|
|
Hobellied |
Anonymous |
1890-95 |
|
|
Hoert Ihr’s von den Bergen Klingen |
Charles Schoenenberger and Louisa Schneckenbuehl |
ca. 1920-1921 |
|
|
Hohenfriedberger |
Anonymous |
1889-90 |
|
|
Hokum |
Art Hickman’s Orchestra |
1921 |
|
|
Hold Me |
Art Hickman’s Orchestra |
1919 |
|
|
Hold Me |
Art Hickman’s Orchestra |
1919 |
|
|
Hold the Fort |
Ira D. Sankey |
1899 |
|
|
Hold the Fort |
Len Spencer |
1899 |
|
|
The Holy City |
Henry Burr |
ca. 1903 |
|
|
The Holy City [edit] |
Roger Harding |
1899 |
|
|
The Holy City |
Grace Marvin |
ca. 1898-99 |
|
|
Home |
Rudy Vallee with his Connecticut Yankees |
1932 |
|
|
Home Again Blues |
Aileen Stanley |
1921 |
|
|
The Home Over There |
J. W. Myers |
1896 |
|
|
Home! Sweet Home! |
Anonymous |
1890-95 |
|
|
Home, Sweet Home |
Edison Mixed Quartet |
1907 |
|
|
Home Sweet Home the World Over |
Arthur Pryor’s Band |
1912 |
|
|
Home, Sweet Home |
Alice Nielsen |
1910 |
|
|
The Homeland |
Ira D. Sankey |
1899 |
|
|
Homesick |
Bailey’s Lucky Seven featuring Cliff Edwards (“Ukulele Ike”) |
1922 |
|
|
Homesickness Blues |
Nora Bayes |
1916 |
|
|
Honey Babe |
Lyman’s California Ambassador Hotel Orchestra |
1923 |
|
|
Honey Boy |
Columbia Quartette |
1907 |
|
|
Honey Lou |
Art Hickman’s Orchestra |
1921 |
|
|
Honeymoon Home |
Art Hickman’s Orchestra |
1921 |
|
|
The Honeysuckle and the Bee |
Joseph Natus |
ca. 1902-1903 |
|
|
Hong Kong |
Guido Deiro |
1917 |
|
|
Honky Tonky |
W. G. Haenschen’s Banjo Orchestra |
1916 |
|
|
Hop a Jitney with Me / My Little Girl |
Guido Deiro |
1915 |
|
|
Hör oss Svea |
Svensk-Amerikanska sångarförbunde |
1924 |
|
|
Hortense at Sea |
Nat M. Wills |
1909 |
|
|
Hortense at the Skating Rink |
Nat M. Wills |
1909 |
|
|
Hot Corn Medley |
The Unique Quartette |
ca. 1895-1896 |
|
|
Hot Lips |
Eddie Davis Orchestra |
1922 |
|
|
Hot Lips (He’s Got Hot Lips When He Plays Jazz) |
Paul Whiteman and His Orchestra |
1922 |
|
|
A Hot Time in the Old Town |
Dan W. Quinn |
1896 |
|
|
A Hot Time in the Old Town |
Len Spencer and Vess Ossman |
ca. 1897 |
|
|
How Can They Tell that Oi’m Irish? |
Nora Bayes |
1910 |
|
|
How Come You Do Me Like You Do? |
Edith Wilson (accompaniment by “Alabama Joe”) |
1924 |
|
|
How Could Washington Be a Married Man (and Never, Never Tell a Lie?) |
Dan W. Quinn |
1917 |
|
|
How I Got to Morrow |
Burt Shepard |
1902 |
|
|
How Many Times (introducing Mamma Whip! Mamma Spank!) |
Harry Raderman’s Jazz Orchestra |
1921 |
|
|
How Mother Made the Soup |
Charley Case |
1909 |
|
|
How ‘Ya Gonna Keep ‘Em Down on the Farm? (After They’ve Seen Paree) |
Nora Bayes |
1918 |
|
|
How ‘Ya Gonna Keep ‘Em Down on the Farm? (After They’ve Seen Paree) |
Nora Bayes |
1918 |
|
|
How ‘Ya Gonna Keep ‘Em Down on the Farm? (After They’ve Seen Paree) |
Arthur Fields |
1919 |
|
|
How? Fried |
Bert Williams |
1913 |
|
|
How’d You Like to Spoon with Me? |
Corinne Morgan and Haydn Quartet |
1905 |
|
|
Huckleberry Finn |
Gus Van and Joe Schenck |
1917 |
|
|
Hu-la Hu-la Cake Walk |
Sousa’s Band |
1901 |
|
|
Hummin’ To Myself |
Phil Spitalny’s Music |
1932 |
|
|
Hungarian Rag |
Guido Deiro |
ca. 1913 |
|
|
Hungarian Rag |
Pietro Deiro |
1914 |
|
|
Hush-a-Bye Ma Baby (The Missouri Waltz) |
Elsie Baker |
1916 |
|
|
Hush-A-Bye, Ma Baby (Missouri Waltz) |
Sterling Trio |
ca. 1917 |
|
|
The Husking Bee |
Columbia Orchestra |
1898 |
|
|
Hüttel am Rhein |
Frieda Haldi, Jacob Jost and Constantin Wunderle |
ca. 1920-1921 |
|
|
Hypnotic Scene |
Joe Weber and Lew Fields |
1912 |
|